![]() James’s erotic-fiction franchise, Christian Grey is in desperate need of therapy, and, if there were any identifiably human substance to the new film, his seeking it would be central to the plot.Īt the end of the first installment, “ Fifty Shades of Grey,” Anastasia Steele (Dakota Johnson) couldn’t abide the punishment that the dominant Christian (Jamie Dornan) inflicted on her in his “red room of pain,” his gothic chamber of sexual paraphernalia, and so she walked out. ![]() ![]() In “Fifty Shades,” the second film adapted from E. ![]() Night Shyamalan’s “ Split”: both films feature the flashback of a tormented man, in which his early-childhood self cowers under a bed while an adult hunts for him. In “Split,” the protagonist, Kevin Wendell Crumb, is getting therapy-in Shyamalan’s angry view, too little, too late. The opening of “Fifty Shades Darker” echoes a key scene in M.
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